Blink-182 Featured On New Remix Of Powfu, Beabadoobee’s ‘Death Bed’

Blink-182 have teamed up with rapper Powfu and indie singer Beabadoobee on a new remix of their viral hit, “Death Bed (Coffee For Your Head).”

“The world might be strange but it’s a beautiful place/If we can make it through tomorrow/There’ll be brighter times,” Blink-182 bassist and co-lead vocalist Mark Hoppus sings in the remix.

The Blink-182 remix was released as part of Powfu’s new Poems Of The Past EP, which dropped on Friday, May 29.

The original version of the track was released in February and has subsequently been used in over 5 million TikTok videos.

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Lori Harvey Speaks Up on Police Brutality After Accused of Only Caring About Friend’s Looted Shop

Still, people are not impressed that the social media personality only addresses the killings of African Americans in the U.S. after she called out the protesters.

AceShowbizLori Harvey has spoken out against police brutality after she criticized looters who robbed her friend’s store in Atlanta. She took to her Instagram page on Monday, June 1 to address Black Lives Matter, days after the killing of George Floyd and the subsequent protests that have spread nationwide.

“Over the past week, I’ve been trying to find the right words but I’m sincerely at a loss,” she began her post. “My entire heart goes out to the loved ones of George Floyd, Ahmaud Arbery, Breonna Taylor and every Black life taken at the hands of racism, police brutality, and racial injustice. I can’t even imagine the pain they are feeling.”

She continued, “Saying we want justice doesn’t even feel right. True justice would mean that George, Ahmaud, and Breonna would still be here. This is not the system I want my nieces and nephews to grow up in. This is not the world I want them to live in.” She went on calling for people to bring about “the change we want to see” amid the “overwhelming” situations and directing her followers to a link on her bio.

Still, people are not impressed that the stepdaughter of Steve Harvey only addressed the issue days after the death of George Floyd and after she called out the protesters. “She only said some cause everyone noticed she only cared when her friends shop got ‘looted,’ ” someone responded to her statement.

“I see you found the right words when it came to your friend store,” a second user reacted. Another didn’t buy her explanation, writing, “Save it sis !!” Someone else commented, “It’s always ‘have I been trying to find the right words’ when they get called out.”

Lori posted her statement on police brutality after she shared her reaction to her friend’s shop being looted in Atlanta. “I’m in disbelief. Im sick to my stomach. I still can’t understand what the point in doing this to US was but I PROMISE this will not be the end of @sacdelux_,” she expressed her sympathy to her friend.

She went on condemning the action in a now-deleted Instagram Story post, “Atlanta y’all took it too far last night smh. My heart is so broken for my friends @nikkisworld and @niceybabyy. I know how hard you guys worked to build SacDelux from the ground up (2 young BLACK women) and I can’t even imagine the pain of watching it get destroyed like that for absolutely no reason. I’m so sorry this happened to you guys. The looting of @sacdelux_ was absolutely senseless and disgusting. I’m just glad you guys didn’t get hurt in the process…”

She immediately faced backlash as she’s accused of only caring about her friend’s store rather than the more important issue, which is the social injustice to black people. “Lori Harvey is really a special kind of idiot, I can’t even say I’m surprised,” one slammed the social media personality.

“I don’t want to see any lori harvey posts after this s**t is done, shes a trick a** b***h tbh,” another decried the 23-year-old model. A third user added, “Virgil our (sic) here selling rugs with his slogan on it for a band and sent $50 funky dollars to the bail fund. Lori Harvey cryinggg SAC DE LOOTEd and the man she lets nut in her can’t help her b***hes? She has 1 bag in her whole closet that could help her friends.”

Someone else claimed she’s not surprised by Lori’s reaction, writing, “Am I the only one not surprised by Lori Harvey’s response. She voluntarily still deals with Future and her stepfather is Steve Harvey. Her decision making skills are questionable at best.”

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Joaquin Phoenix and His Late Brother River Phoenix Share This Huge Hollywood Distinction

It’s always tragic when Hollywood stars pass away at a young age. In the case of River Phoenix, the young actor’s career was still on the rise. Yet, following his death, his legacy has lived on in his own body of work. But it has also persisted in the form of his younger brother, Joaquin Phoenix. And the Phoenix brothers hold a very special Oscar distinction.

River Phoenix passed away in 1993 at the age of 23

In 1985, River Phoenix made his film debut in the sci-fi fantasy Explorers. He followed that movie with roles in Stand By Me and The Mosquito Coast. But it was 1988’s Running on Empty which earned Phoenix an Academy Award nomination for Best Supporting Actor.

His career was in full swing. Phoenix played a young Indiana Jones in Indiana Jones and the Last Crusade. And just two years later, he gained critical acclaim and awards buzz again for My Own Private Idaho.

Roles in Sneakers and The Thing Called Love followed. And then in 1993, the young actor died. He left behind a promising career. But more importantly, his family — including Joaquin — mourned the loss of their loved one.

RELATED: The Heartbreaking Reason Joaquin Phoenix Checked Himself into Rehab

His brother, Joaquin Phoenix, has become a hugely respected actor

Joaquin Phoenix has spoken on numerous occasions how deeply his brother’s death affected him. And in many ways, it seems as if River’s passing motivated Phoenix to continue acting in his memory. In 1995, Phoenix starred opposite Nicole Kidman in To Die For, the first credit under his real name.

Just five years later, Phoenix’s career blew up. Like his brother, he earned an Academy Award nomination for Best Supporting Actor in 2001. And though Phoenix didn’t win for Gladiator, he was nominated again in 2006 and 2013.

Phoenix’s Oscar-nominated work in Walk the Line and The Master cemented him as one of the finest actors of his generation. Then, finally, he won an Oscar in 2020 for his chilling lead role in Joker.

RELATED: ‘Joker’: Why Joaquin Phoenix Should Play Both Joker and Batman in the Sequel

They are the only brothers to be Oscar-nominated for acting

While both Phoenix brothers may not have won Oscars, they still stand alone in cinema history. Joaquin and River Phoenix are the only brothers to earn Oscar nominations for acting. This bit of Oscar trivia makes Phoenix’s Joker win that much more satisfying.

Not only has the actor delivered a string of memorable turns. But his triumph also underscores the collective talent both he and his brother have brought to the screen for decades. In fact, it’s hard to believe no other acting dynasties have seen two brothers each earn Oscar nods.

Fans will never know whether River Phoenix would have eventually earned his own trophy. One has to imagine his career was likely heading down a similarly bright path as his brother. Yet, despite River Phoenix’s death nearly 30 years ago, he remains in the annals of Oscar history nonetheless.

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Billie Eilish Officially Releases Her Body Positive Stripping Short Film!

Back in early March — you know, when concerts were still possible — Billie Eilish shared an amazing video to kick off her Where Do We Go? tour.

Audiences gasped as the teen sensation appeared on screen, slowly stripping off her signature layers of baggy clothes — the whole time challenging ideas of body shaming and slut shaming in a powerful voiceover.

Most of the world only saw glimpses of the clip from a fan’s cell phone video, but now the Bury A Friend singer has made the entire short film, entitled NOT MY RESPONSIBILITY, available in HD on her official YouTube page.

Obviously the message works better with the visuals, as the 18-year-old artist cleverly manipulates perceptions — by removing her clothing she makes the viewer complicit in, and therefore more aware of, an industry which has historically sexualized young women.

Like much of what Billie is doing, it’s really brilliant.

However, it’s worth taking a moment to read the full text of the Grammy winner’s message. She begins:

“Do you know me? Really, know me? You have opinions about my opinions, about my music, about my clothes, about my body. Some people hate what I wear; some people praise it. Some people use it to shame others; some people use it to shame me. But I feel you watching, always. Nothing I do goes unseen, so while I feel your stares, your disapproval… or your sighs of relief.”

She then lamented:

“If I lived by them, I’d never be able to move.”

Next she went after the body shaming every woman alive has to face:

“Would you like me to be smaller? Weaker? Softer? Taller? Would you like me to be quiet? Do my shoulders provoke you? Does my chest? Am I my stomach, my hips, the body I was born with? Is it not what you wanted? If I wear what is comfortable… I am not a woman. If I shed the layers, I’m a slut. Though you’ve never seen my body, you still judge it and judge me for it. Why? You make assumptions about people based on their size.”

Finally she turned it around, declaring:

“We decide who they are. We decide what they’re worth. If I wear more, if I wear less, who decides what that makes me? What that means? Is my value based only on your perception? Or is your opinion of me not my responsibility?”

Strong stuff.

Ch-ch-check out the full short film by Billie Eilish (below)!

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Tamar Braxton talks her 2018 big chop

Tamar Braxton says she shaved her head years ago because she felt so weighed down by her career and her divorce that she “just didn’t need any more weight — not even a strand of hair on my head.”

Back in late 2017, Braxton filed to split from Vince Herbert, and she says that around the same time she was battling the network that aired her reality show. By March 2018, she buzzed her hair. “My short hair represents my freedom,” Braxton told us, adding, “The way I was dealing with things wasn’t a way I was necessarily proud of . . . I was masking my feelings and it started with the hair.”

She’s co-hosting VH1’s “To Catch a Beautician,” out Monday, in which she helps “disgruntled clients confront the beauticians who wrecked their hair.” Meanwhile, she says of her sister Toni’s famed short locks on the cover of her 1993 debut album: “That haircut was not on purpose . . . I do believe it was a result of a hair catastrophe.”

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Even though we only dress in black, the goth movement is full of colour

Today is World Goth Day, where gothic people receive more attention and celebration from the mainstream than they would usually. It should be a day where people like me feel seen. Only, I don’t.

I’ve noticed that goths of colour, year after year, are rarely part of the discussion. It’s been the story of my life, so it’s not particularly surprising.

It was something I learned quickly. The dark clothes, facial piercings, vibrant hair colours, band t-shirts, the rock festivals, the mosh pits, the music, the art, the entire form of self-expression… just wasn’t for black people.

We’re meant to listen to R&B, hip-hop and rap, and want to emulate that culture. The messages we receive from Western culture is loud and clear. It becomes a cycle.

On one hand, minorities don’t want to participate in alternative cultures because they’re taught that it isn’t for them. They’re told this by their family, their peers, the media, by the critical remarks and social isolation. It’s both a lesson and a warning.

But when we push forward anyway, we often find ourselves in an overwhelmingly white community who don’t know how to react to black people in ‘their’ space. It means we then need to go above and beyond to show our legitimate interest, just so we can learn to tolerate racial ignorance and remarks from within the ‘in’ group, but also so we can feel some semblance of inclusion.

Pale faces are more than just the aesthetic in the goth community, they’re the password to enter. 

As a pre-pubescent, self-proclaimed rocker, I didn’t realise that interests had socially imposed racial boundaries.

I grew up in Reading, where I saw thousands of alternative people descend upon the town every year for Reading Festival. I would marvel at their platform boots and dark clothes. Rather than being perturbed by the controversial imagery of acts like Marilyn Manson, I was fascinates by its edge. I barely had my adult teeth when I decided that I wanted to look like that.

But as soon as my affinities became obvious, it seemed like everyone was sure to let me know. To the black kids, I was a ‘coconut’ – black on the outside, white on the inside. It was confusing and frustrating, but I was strong willed.

I was still absorbing the ‘be yourself’ message aimed at my age group. If changing meant more friends, but people not accepting me for who I truly was, I’d rather be alone.

My tastes had me labelled as a weird ‘mosher’ by the time I was 11. I got used to having people not want to sit next to me. Asking me things like, ‘Are you a Satanist?’ or shouting the classic line across the street, ‘Is it Halloween already?’

I grew accustomed to the idea that I probably wouldn’t be accepted unless I changed my interests and my appearance, and might not ever fit in anywhere.

Yet the more alternative white girls weren’t afforded the same treatment by our peers. Their expression didn’t need to be policed.

Even when I tried to immerse myself in goth culture in the local alternative crowd – which was almost entirely white – I found that I wasn’t welcomed as kindly as my white girl friends were.

One non-school uniform day, I proudly wore my skulls, ripped sleeves, wristbands and chains. I felt amazing. I thought I looked cool, but was instantly told I did not when I entered the school grounds.

But as Avril Lavigne’s song Girlfriend became a hit, and my white classmates emulated her fashion, it was great, apparently.

I became the outsider seemingly based on the colour of my skin.

It was something my mother had warned me about. ‘Some of those kinds of people don’t like black people,’ she had told me as I insisted on putting punk band posters on my bedroom walls, most likely remembering the segregated subcultures of her youth.

But I could never get my head around why alternative groups are perceived as being a white thing. Why our racial identity is called into question when we listen to rock or heavy metal music – genres that wouldn’t exist without the contributions of black musicians in the blues genre.

The ‘first’ heavy metal album – Black Sabbath’s self-titled release in the 1970, was practically a heavy blues album.

Many elements of alternative fashion are deeply inspired by international cultures, from Japan to Africa, to India. There have been black alternative communities across the world for decades or longer. 

But if you turn on the rock music channels, go onto the alternative clothing websites, look in the alt-fashion magazines, on the blogs, the ads, or even fictional portrayals of alternative people on TV and in films – the chances are that you will only see white faces.

If there was more representation for alternative people of colour, it would change people’s ideas of what ‘alternative’ looks like.

Maybe then, alternative black kids wouldn’t feel so alienated. Maybe then, the phrase ‘That’s not for you’ wouldn’t be heard so often from those we call friends, family, or even just gatekeeping strangers – at festivals, gigs, family gatherings or online spaces where we thought it would be alright to express ourselves.

Maybe then, black kids would feel more comfortable expressing themselves in unconventional ways with the knowledge that they would be accepted by all sides.

I’ve spent over half of my life being invisible and being told that I can’t be myself. 

So, this World Goth Day, let’s celebrate all goths, no matter their colour. 

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InterContinental Hotels BANS buffets, limits elevators to three a ride

InterContinental Hotels BANS buffets, limits elevators to no more than three people per ride, and removes pool furniture as industry expects guests to start returning for summer travel

  • Keith Barr, CEO of InterContinental Hotels, announced new safety measures 
  • Barr said he expects domestic travel to pick up as summer progresses 
  • Hotels will do away with buffets and introduce ‘grab-and-go’ dining 
  • Facilities will also have hand sanitizer stations positioned throughout for guests
  • Hotel industry has lost $1.4billion per week during COVID-19 pandemic 
  • Here’s how to help people impacted by Covid-19

Hotels around the world will look very different in the COVID-19 era as the battered tourism and hospitality industry tries to assure would-be travelers that staying in resorts will be safe.

That means no more than three people will be allowed into an elevator at the same time – unless families are traveling as one unit; buffets and restaurants will be eliminated in favor of grab-and-go dining, and room service will be contactless.

‘We’re making sure that we provide a safe environment so customers can enjoy themselves because they do want to travel,’ InterContinental Hotels Group CEO Keith Barr told ABC News on Thursday.

Barr, whose chain includes popular brands like Holiday Inn, Crowne Plaza, and Regent Hotels and Resorts, also said that swimming pools in his hotels will be socially distanced.

The company’s new measures will be brought in at its 5,600 hotels across 100 countries. 

InterContinental Hotels Group CEO Keith Barr said that his company’s 5,600 hotels in more than 100 countries will be implementing stringent safety guidelines to reassure travelers worried about taking vacations in the COVID-19 era

There will be temperature screening at the front desks, hand sanitizer stations positioned throughout the facility, social distancing markers in public areas, and decluttering rooms in the public spaces to make sure that high-touch items are no longer present.

Barr said that he expects demand for hotel rooms to pick up toward the summer as travelers will be getting into their cars rather than flying in planes to take vacations.

‘We think we are going to have a lot of domestic travel and not a lot of international travel, and it will be drive because people feel comfortable getting in their cars and driving to stay at a Holiday Inn or Holiday Inn Express,’ he said.

‘That’s going to be the travel trend, with fewer people wanting to get on flights.’

Earlier this month, InterContinental Hotels said it expects revenue per available room to plunge 80 per cent in April compared with last year and that the coronavirus crisis was the biggest challenge the hotel industry ever faced.

Earlier this month, the American Hotel and Lodging Association unveiled its ‘stay safe’ guidelines that will include social distancing in common spaces 

Hotels will also post signage reminding guests of the need to maintain social distancing and good hygiene

The guidelines call for hand sanitizer stations to be available throughout the hotel’s facilities

Employees will also be required to wear personal protective equipment 

The Denham, UK-based company said occupancy levels dropped to historic lows in March and April.

The hotel industry is estimating a loss of $1.4billion in revenue every week on account of the outbreak and a 30% drop in hotel occupancy over a year, according to statements from the American Hotel and Lodging Association and the US Travel Association in March.

Earlier this month, the AHLA revealed its Safe Stay guidelines, a set of practices that top chains like Wyndham, Hilton, Marriott, and Best Western plan to implement in order to keep both staff members and guests safe from COVID-19.

‘It’s really an effort to make sure that no matter if you’re staying at an extended-stay economy hotel or you’re staying at the nicest luxury resort, that there will be at a minimum common standards across the entire industry,’ AHLA President Chip Rogers told USA TODAY.

Rogers said that travelers don’t have to be afraid of venturing out to hotels given the new policies it is implementing.

There appear to be signs of hope for the industry. During the week of April 19 to 25, hotel occupancy saw a slight increase, with 26 per cent of rooms booked – though that is still 62 per cent less than the same period last year.

Industry observers said that guests are slowly starting to trickle back to hotels as states lift the coronavirus lockdowns.

InterContinental’s hotels, like the one seen above in Los Angeles, will eliminate buffets and restaurants

‘Demand has grown slightly across the country during the last two weeks, which could provide some hope that the levels seen in early April were indeed the bottom – especially with some states now moving to ease social distancing guidance,’ Jan Freitag, an analyst with data firm STR, told USA TODAY.

By best estimates, most leisure travel will be back to 60-70 per cent of what it was last year, according to Rogers.

He expects Florida, California, and Hawaii coastlines to see near normal numbers by the end of the summer.

Freitag said that the uptick in demand from the past few weeks has been due to travellers from California, Texas, New York, Florida, and Georgia.

She said ‘it is not unreasonable to assume that part of the increased business is coming from essential workers, homeless housing initiatives and government-contracted guests.’

Hotels generally rely on business travel for most of their revenue.

During the pandemic, companies have scaled back costs associated with travel.

Industry observers do not expect business travel to pick up again at least until next year.

Another key source of revenue for hotels is large-scale meetings and conferences, which are unlikely to resume until next year or perhaps later.

‘I think the industry will attempt to find all sorts of ways to make sure that rooms are filled and bring in some revenue, but ultimately without going back to normal travel patterns and business conferences and leisure travel, it’s going to be a very difficult situation for the industry,’ Rogers said. 

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Two-metre rule will bankrupt businesses and keep pubs shut, bosses say

Businesses will go bankrupt and eight out of 10 pubs will have to stay shut unless Government relaxes two-metre social distancing rules, bosses say

  • Scientific adviser has said two metre social distancing rule is unnecessary 
  • Most pubs could operate with punters one metre apart, says one group
  • Distance was suggested to reduce the risk of virus droplets spreading 
  • Here’s how to help people impacted by Covid-19

Businesses face bankruptcy and pubs will have to remain shut if the government does not relax its two-metre social distancing rule, industry bosses have said.

Sage, the government’s scientific advisory panel, has stood by the two-metre social distancing rules Britain has been observing since March, when the Covid-19 pademic put the country in to lockdown.

But amid growing criticism of the measure, pubs and businesses have warned The Times about the impact social distancing will have on industry.

Punters will have a hard time keeping two metres apart in around 80% of pubs, which may have to remain shut unless the rules are relaxed, the British Beer and Pub Association has said

Emma McClarkin, chief executive of the British Beer and Pub Association, said on 20 per cent of pubs would be able to reopen with two-metre distancing, but a one-metre gap between punters would bring the majority back.

She added: ‘It becomes extraordinarily difficult without some flexibility in the guidelines. There are pubs that haven’t even got a two-metre radius around the bar so that rules them out.’  

Professor Robert Dingwall yesterday said measure was based on ‘very fragile’ evidence. 

Other nations have cut their rules down to a 1m gap, which advocates say could help businesses get back to work faster and help to kick-start the economy. Spain is the only other country in Europe telling people to keep two metres apart. 

Supermarkets including Tesco have been observing two-metre distancing guidelines by asking shoppers to queue outside to enter the the store

Andrew Curran, chief scientific adviser at the Health and Safety Executive said being exposed to someone for ‘a few seconds’ at a one metre distance could equate to around an hour of being two metres away from the same person.

He said: ‘If the exposure at a distance of less than two metres is going to be for a short period of time, you manage the risk in the context of duration and orientation.  

Employers have been told to maintain the distance ‘wherever possible’ in official guidance this month. 

Edwin Morgan from the Institute of Directors told The Times the measure would be ‘impossible’ for some business, asking the government to help the industry find ‘innovative ways to adapt’. 

There are a wide range of recommendations on social distancing that differ from country to country.

The World Health Organisation recommends a one metre distance between two people from separate households. 

The reason for this, as stated on its website, is that: ‘When someone coughs, sneezes, or speaks they spray small liquid droplets from their nose or mouth which may contain virus. If you are too close, you can breathe in the droplets, including the COVID-19 virus if the person has the disease.’

But other countries have taken advice from their own health experts and social distancing varies from two metres (in the UK) down to one metre (in France)

The two metre rule can be traced back to research in the 1930s that showed droplets of liquid from coughs or sneezes would land within a one-two metre range, as reported by the BBC.

ONE METRE FOR A FEW SECONDS ‘IS AS RISKY AS AN HOUR AT TWO METRES’

Spending a few seconds one metre from a colleague is equivalent to an hour two metres away, and talking loudly makes it worse, experts warn.

Government scientific advisors are considering telling workers exactly how strong the risk of catching the coronavirus is depending on how close they stand next to someone.

The fresh advice would help employees ‘manage’ their risk of the killer infection where social distancing is difficult.

Companies are wrestling with new safety rules to allow employees to return to work as Prime Minister Boris Johnson sets out steps to restart the economy.

Social distancing is paramount, but there are growing concerns this won’t be possible for some employees in confined spaces, including construction site workers.

Pictured, construction workers in south London on May 12. People in manual jobs may find it harder to social distance at work

Ministers are hoping for a gradual re-opening of schools from June 1, but there are fears children will be unable to properly social distance.

It follows a study last week that showed talking loudly for just one minute can produce a high load of viral particles that stay in the air for eight minutes.

Other simulations show how far infected particles from a cough or sneeze can travel in confined spaces.

Employers in the UK have been told to re-design workspaces to ensure workers are at a two metre distance from others as much as possible.

The new ‘COVID-19 secure’ guidance covers eight workplace settings which are allowed to be open, including construction sites, factories and takeaways.

Where social distancing is difficult, there should be barriers in shared spaces, staggered start times and one-way walking systems, the guidance says.

But where social distancing is seemingly impossible, a sub-group of the Scientific Advisory Group for Emergencies (SAGE) is examining how workers can ‘manage’ the risk, the Sunday Telegraph reports.

Andrew Curran, chief scientific adviser at the Health and Safety Executive said being exposed to someone for ‘a few seconds’ at a one metre distance could equate to around an hour of being two metres away from the same person.

He said: ‘If the exposure at a distance of less than two metres is going to be for a short period of time, you manage the risk in the context of duration and orientation.

‘There is some physics in this and the Sage sub-group is looking at that to provide better information.

‘For example, if you were exposed for a few seconds at one metre, that is about the same as being exposed for a longer period of time – an hour, say – at two metres. It is that order of magnitude.

‘There may be elements within a job where there is exposure for a short period, but where the risk is so low it can be managed.’

Two metres is considered a safe distance by health chiefs because the coronavirus predominantly spreads in respiratory droplets in a sneeze or cough.

These large droplets fall to the floor due to gravity within a short distance, around one metre, from the person who expelled them. The ‘safe’ distance is double that in order to optimise protection.

Two metres is not a ‘magical number’ according to John Simpson, a medical director at Public Health England.

He said ‘there is a duration and distance element to exposure that has to be worked through’, as scientists continue to work out how the coronavirus spreads in different conditions.

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You Can Thank Steven Soderbergh for Helping Get 'Bill and Ted Face the Music' Off the Ground

Bill and Ted Face the Music is one of those sequels that people thought would be perpetually talked about but never actually see the light of day. But here we are, with the third installment of the sci-fi comedy series starring Keanu Reeves and Alex Winter slated for release late this summer. But how did we get here? Well, it sounds like Steven Soderbergh surprisingly had a big hand in helping Bill and Ted Face the Music get in front of cameras. We already knew he was an executive producer on the movie, but the Ocean’s 11 director recently explained how he helped get the movie off the ground.

Soderbergh recently appeared on Flaviar’s NightCap Live (via Collider) to talk about his brandy brand Singani 63, and discussion eventually turned to his work in film. It just so happens that Bill and Ted franchise writer Ed Solomon worked with Steven Soderbergh on the HBO limited series Mosaic, an experimental project that also had storylines unfolding through an interactive app. While the two spent time together working on the project, Soderbergh just had to talk about the Bill and Ted movies, and the rest is history.

Here’s what Soderbergh had to say about his hand in getting Bill and Ted Face the Music to come together:

“When Ed and I started working on Mosaic, I knew, of course, that he had Bill & Ted in his past. And one day we were talking, and he was like, ‘You know, we wrote a third Bill & Ted movie.’ And I said, “Well, great! Like, what’s going on with that? Can I read it?” And I read it, and I was just part of a group of people, including Scott Kroopf, the original producer, and Keanu and Alex, that really wanted to see this happen. My role was more as cheerleader than anything. The companies that own the rights to make a sequel, I called them up and said, ‘This script’s hilarious, why aren’t we doing this?’ We found a fantastic director, Dean Parisot, who I’ve known for a long time… I’ve seen it, it’s really good, and we’re almost done, and I feel like it’s the perfect movie for people who want to feel better about what’s happening right now.”

Now the question is whether or not the movie will be able to stick to their original release date of August 21, 2020. The future of movie theaters is currently up in the air, and even though Christopher Nolan is holding out hope that they’ll be reopened in mid-July in order for his film Tenet to be released, that doesn’t seem very likely. That could result in Bill and Ted Face the Music getting pushed back. Soderbergh discussed that very issue as well, saying:

“We’re trying to figure out what’s going on now, because as you and I discussed, is there a movie business when a theater can only be one third full? That’s a question that nobody’s able to answer yet, and it’s a question I’m sure Chris Nolan is really grappling with right now.”

There hasn’t even been a teaser trailer for Bill and Ted Face the Music yet, which seems odd for an anticipated movie that’s three months out. That might be the first indicator that maybe the movie won’t make it into theaters by August, but we’ll just have to wait and see.

Bill and Ted Face the Music finds the titular duo tackling middle-aged life when they are given a mysterious message from the future telling them that they only have 78 minutes to write a song that will save Earth and the rest of the universe. The movie is directed by Dean Parisot (Galaxy Quest) and written by Chris Matheson and Ed Solomon. The cast includes Samara Weaving and Brigette Lundy-Paine as the respective daughters of Bill and Ted, Jayma Mays and Erinn Hayes as their wives, William Sadler as Death, and the return of George Carlin by way of archival footage. Otherwise, franchise newcomers include Anthony Carrigan (Barry), Jillian Bell (Workaholics), Beck Bennett (Saturday Night Live), Kristen Schaal (Bob’s Burgers), Holland Taylor (Legally Blonde) and rapper Kid Cudi.

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A 1000-piece puzzle lets you build the moon and its real-life craters

Incomplete puzzles have pretty much become the universal symbol of lockdown.

But those after a new challenge can now enjoy this interstellar product, a 1000-piece puzzle of the moon.

The puzzle resembles the near side of the moon in spectacular detail, with a real-life image – courtesy of NASA.

It’s the clearest image of the moon to date and shows even the smallest of craters.

Naturally, the jigsaw comes in a circular shape and stretches to 26.5in in total.

What’s more, no two pieces are the same shape – which sounds challenging, but actually makes it a little easier to put together.

It’s currently being sold on Amazon for £15.98 with free delivery, although it says it may take a few weeks to arrive.

The company behind the puzzle, Crazywind, is also selling an Earth version, which comes in three different aerial views, including one of Europe and one of Australia.

But it seems these aren’t the only products that have caught the attention of nimble-fingered folk in lockdown.

Amazon is also selling a really difficult puzzle made up of the same colour – so puzzle enthusiasts have to rely on the shape of the pieces, rather than the shade.

One reviewer stated that some of the pieces feature patterns on the back, which hint at clues as to where they might fit in.

In addition to this, Kodak has just released the world’s largest puzzle – made up of an eye-watering 51,300 pieces.

The super puzzle features 27 different wonders of the world, with every spectacle forming its own 1,900-piece puzzle.

These then fit together to form an enormous jigsaw, coming in at 16.47 sq metres.

Now that’s a puzzle.

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